The Law of One Search Results for ‘greetings’

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Questioner: I have a question from the instrument. She states: “Could Ra tell us what factors are allowing our fifth-density, negative companion to be able to continue greeting the instrument in the throat area as well as with other unusual sensations such as dizziness, smelling of orange blossoms, the feeling of stepping on imaginary creatures, and what can be done to lessen these greetings? And why the greetings occur on walks?”

Ra: I am Ra. There are various portions of the query. We shall attempt answer to each. We tread close to the Law of Confusion, saved only by the awareness that given lack of information this instrument would, nonetheless, continue to offer its service.

The working of your fifth-density companion, which still affects the instrument, was, as we have stated, a potent working. The totality of those biases which offer to the instrument opportunities for increased vital and physical strength, shall we say, were touched by the working. The blue-ray difficulties were not entirely at an end after the first asking. Again, this group experienced blockage rare for the group; that is, the blue-ray blockage of unclear communication. By this means the efficacy of the working was reinforced.

The potential of this working is significant. The physical exercising, the sacred music, the varieties of experience, and indeed simple social intercourse are jeopardized by a working which attempts to close the throat and the mouth. It is to be noted that there is also the potential for the loss of this contact.

We suggest that the instrument’s allergies create a continuous means whereby the distortion created by the magical working may be continued. As we have stated, it shall be necessary, in order to remove the working, to completely remove the distortion within the throat area caused by this working. The continuous aggravation of allergic reactions makes this challenging.

The orange blossom is the odor which you may associate with the social memory complex of fifth-density positive which is known to you as sound vibration, Latwii. This entity was with the instrument as requested by the instrument. The odor was perceived due to the quite sensitive nature of the instrument due, again, to its, shall we say, acme in the eighteen-day cycle.

The sensation of stepping upon the small animal and killing it was a greeting from your fifth-density, negative companion also made possible by the above circumstance.

As to the removal of the effects of the magical working, we may make two suggestions, one immediate and one general. Firstly, within the body of knowledge which those healers known among your peoples as medical doctors have is the use of harsh chemical substances which you call medicine. These substances almost invariably cause far more changes than are intended in the mind/body/spirit complex. However, in this instance the steroids or, alternately, the antibiotic family might be useful in the complete removal of the difficulty within which the working is still able to thrive. Of course, the allergies would persist after this course of medicine were ended, but the effects of the working would no longer come into play.

The one you call Jerome might well be of aid in this somewhat unorthodox medical situation. As allergies are quite misunderstood by your orthodox healers, it would be inappropriate to subject the instrument to the services of your medical doctors which find the amelioration of allergic effects to be connected with the intake of these same toxins in milder form. This, shall we say, treats, the symptom. However, the changes offered to the body complex are quite inadvisable. The allergy may be seen to be the rejection upon a deep level of the mind complex of the environment of the mind/body/spirit complex. Thus the allergy may be seen in its pure form as the mental/emotional distortion of the deeper self.

The more general recommendation lies with one which does not wish to be identified. There is a code name prayer wheel. We suggest ten treatments from this healer and further suggest a clear reading and subsequent following, upon the part of the instrument, of the priorities of allergy, especially to your foodstuffs.

Lastly, the effects of the working become apparent upon the walking when the body complex has begun to exert itself to the point of increased respiration. Also a contributing factor is the number of your second-density substances to which this instrument is allergic.

Questioner: Thank you. I would like to know if [name] may attend one of these sessions in the very near future?

Ra: I am Ra. The mind/body/spirit complex, [name], belongs with this group in the spirit and is welcome. You may request that special meditative periods be set aside until the entity sits with this working. We might suggest that a photograph of the one known as James Allen* be sent to this entity with his writing upon it indicating love and light. This held while meditating will bring the entity into peaceful harmony with each of you so that there be no extraneous waste of energy while greetings are exchanged between two entities, both of whom have a distortion towards solitude and shyness, as you would call it. The same might be done with a photograph of the entity, [name], for the one known as James Allen.

Questioner: Thank you. Could you please give me the condition of the instrument?

Ra: I am Ra. This instrument is experiencing mild fluctuations of the physical energy complex which are causing sudden changes from physical energy deficit to some slight physical energy. This is due to many, what you may call, prayers and affirmations offered to and by the instrument offset by continual greetings whenever it is feasible by the fifth-density entity of whom you are aware.

In other respects, the instrument is in the previously stated condition.

Questioner: Can you tell me anything of the nature of this crisis?

Ra: I am Ra. The polarity of your companion is approaching the critical point at which the entity shall choose either to retreat for the nonce* and leave any greetings to fourth-density minions or lose polarity. The only other potential is that in some way this group might lose polarity in which case your companion could continue its form of greeting.

Questioner: Will our continued communication with Ra be deleterious to the physical energies of the instrument?

Ra: I am Ra. We may answer in two modes. Firstly, if the instrument were thusly dedicated to this use with no transfer of energy of physical complex nature it would begin to call upon the vital energy itself and this, done in any substantive measure, is actively deleterious to a mind/body/spirit complex if that complex wishes further experience in the illusion which it now distorts.

Secondly, if care is taken, firstly, to monitor the outer parameters of the instrument, then to transfer physical energy by sexual transfer, by magical protection, and, lastly, by the energetic displacements of thought-forms energizing the instrument during contact there is no difficulty in that there is no worsening of the instrument’s mind/body/spirit complex distortions of strength/weakness.

It is to be noted that the instrument, by dedicating itself to this service, attracts greetings of which you are aware. These are inconvenient but, with care taken, need not be lastingly deleterious either to the instrument or the contact.

Ra: I am Ra. I have not spoken through this instrument before. We had to wait until she was precisely tuned, as we send a narrow-band vibration. We greet you in the love and in the light of our Infinite Creator.

We have watched your group. We have been called to your group, for you have a need for the diversity of experiences in channeling which go with a more intensive, or as you might call it, advanced approach to the system of studying the patterns of the illusions of your body, your mind, and your spirit, which you call seeking the truth. We hope to offer you a somewhat different slant upon the information which is always and ever the same.

The Confederation of Planets in the Service of the Infinite Creator has only one important statement. That statement, my friends, as you know, is “All things, all of life, all of the creation is part of one original thought*.”

We will exercise each channel if we are able to. The reception of our beam is a somewhat more advanced feat than some of the more broad vibration channels opened by other members for more introductory and intermediate work.

Let us for a moment consider thought. What is it, my friends, to take thought? Took you then thought today? What thoughts did you think today? What thoughts were part of the original thought today? In how many of your thoughts did the creation abide? Was love contained? And was service freely given? You are not part of a material universe. You are part of a thought. You are dancing in a ballroom in which there is no material. You are dancing thoughts. You move your body, your mind, and your spirit in somewhat eccentric patterns for you have not completely grasped the concept that you are part of the original thought.

We would at this time transfer to an instrument known as Don. I am Ra.

[Two-minute pause.]

I am Ra. I am again with this instrument. We are close to initiating a contact but are having difficulty penetrating a certain mental tension and distraction that is somewhat characteristic of this channel. We will therefore describe the type of vibration which is being sent. The instrument will find us entering the energy field at a slight angle towards the back of the top of the head in a narrow but strong area of intensity. We are not able to offer any conditioning due to our own transmitting limitations. Therefore, if the instrument can feel this particular effect he may then speak our thoughts as they come to him. We will again attempt this contact. I am Ra.

[Ninety-second pause.]

This instrument is resisting our contact. However, we assure her that we are satisfied that contact with the one known as Don is not at this time preferable to that instrument. We will, therefore, move on to the one known as Leonard. Again we caution the instrument that it is a narrow-band communication which is felt as a vibration entering the aura. We will now transfer this contact. I am Ra.

[Ninety-second pause.]

I am Ra. We greet you once more in the love and the light of our Infinite Creator. We ask that you be patient with us, for we are a difficult channel to receive. However, we may perhaps add some dimensions to your understanding.

At this time we would be glad to attempt to speak to any subject or question which those entities in the room may have potential use in the requesting.

Questioner: Has our fifth-density visitor been less able to affect the instrument during our more recent workings?

Ra: I am Ra. We shall answer in two parts. Firstly, during the workings themselves the entity has been bated to a great extent. Secondly, in the general experiential circumstance of your space/time experience this fifth-density entity is able to greet this entity with the same effectiveness upon the physical body complex as always since the inception of its contact with your group. This is due to the several physical complex distortions of the instrument.

However, the instrument has become more mentally and spiritually able to greet this entity with love thereby reducing the element of fear which is an element the entity counts as a great weapon in the attempt to cause cessation, in any degree, of the Ra contact.

Ra: I am Ra. I greet you in the love and the light of our Infinite Creator. I am with this mind/body/spirit complex which has offered itself for a channel. I communicate with you.

Queries are in order in your projections of mind distortion at this time/space. Thusly would I assure this group that my own social memory complex has one particular method of communicating with those few who may be able to harmonize their distortions with ours, and that is to respond to queries for information. We are comfortable with this format. May the queries now begin.

Ra: I am Ra. I greet you in the love and the light of the One Infinite Creator. I communicate with you now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and the light of our Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and the light of our Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and the light of the One Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and the light of the Infinite Creator.

Before we communicate by answer we shall correct an error which we have discovered in the transmission of our information to you. We have difficulty dealing with your time/space. There may again be errors of this type. Feel free to question us that we may recalculate in your time/space measurements.

The error we have discovered concerns one of the arrivals of both the Orion group into your planetary sphere of influence and the corresponding arrival of emissaries of the Confederation. We gave dates of two six oh oh [2,600] years for the Orion entry, two three oh oh [2,300] for Confederation entry. This is incorrect. The recalculation indicates numbers three six oh oh [3,600] for Orion entry, three three oh oh [3,300] for Confederation entry.

We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.

Ra: [I am Ra. I greet you] in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator.

Before we communicate may we request the adjustment, without the touching of this instrument’s physical body complex, of the item which presses upon the instrument’s head. This is causing some interference with our contact.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Questioner: Is there anything we can do to make the instrument more comfortable or improve the contact?

Ra: I am Ra. All is harmonious. We greet you all in joy. The adjustments are satisfactory.

I am Ra. I leave you in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you, my friends, in the love and in the light of the Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator.

Before we begin may we request that a circle be walked about this instrument and let then each of the supporting group expel breath forcibly, approximately two and one-half feet above the instrument’s head, the circle then again being walked about the instrument.

[This was done as directed.]

I am Ra. We appreciate your kind cooperation. Please recheck the alignment of perpendicularity and we will begin.

[This was done as directed.]

I am Ra. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra and I greet you in the love and in the light of the One Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator.

Before we proceed may we make a small request for future workings. At this particular working there is some slight interference with the contact due to the hair of the instrument. We may suggest the combing of this antenna-like material into a more orderly configuration prior to the working.

We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra and I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Questioner: The instrument would like to know why twice at the “Benedictus” portion of the music that she practices did she experience what she believes to be a psychic attack?

Ra: I am Ra. This is not a minor query. We shall first remove the notations which are minor. In the vibrating, which you call singing, of the portion of what this instrument hallows as the Mass which immediately precedes that which is the chink called the “Hosanna” there is an amount of physical exertion required that is exhausting to any entity. This portion of which we speak is termed the “Sanctus.” We come now to the matter of interest.

When the entity Jehoshua* decided to return to the location called Jerusalem for the holy days of its people it turned from work mixing love and wisdom and embraced martyrdom which is the work of love without wisdom.

The “Hosanna,” as it is termed, and the following “Benedictus,” is that which is the written summation of what was shouted as Jehoshua came into the place of its martyrdom. The general acceptance of this shout, “Hosanna to the son of David! Hosanna in the highest! Blessed is he who comes in the name of the Lord!” by that which is called the church has been a misstatement of occurrence which has been, perhaps, unfortunate for it is more distorted than much of the so-called Mass.

There were two factions present to greet Jehoshua, firstly, a small group of those which hoped for an earthly king. However, Jehoshua rode upon an ass stating by its very demeanor that it was no earthly king and wished no fight with Roman or Sadducee*.

The greater number were those which had been instructed by rabbi and elder to make jest of this entity, for those of the hierarchy feared this entity who seemed to be one of them, giving respect to their laws and then, in their eyes, betraying those time-honored laws and taking the people with it.

The chink for this instrument is this subtle situation which echoes down through your space/time and, more than this, the place the “Hosanna” holds as the harbinger of that turning to martyrdom. We may speak only generally here. The instrument did not experience the full force of the greeting which it correctly identified during the “Hosanna” due to the intense concentration necessary to vibrate its portion of that composition. However, the “Benedictus” in this particular rendition of these words is vibrated by one entity. Thus the instrument relaxed its concentration and was immediately open to the fuller greeting.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. We greet you in the love and in the light of the One Infinite Creator.

Before we initiate this working we would wish to correct an error which we have found in previous material. That archetype, Five, which you have called the Hierophant, is the Significator of the Mind complex.

This instrument is prey to sudden flares towards the distortion known as pain. We are aware of your conscientious attempts to aid the instrument but know of no other modality available to the support group other than the provision of water therapy upon the erect spinal portion of the physical body complex, which we have previously mentioned.

This instrument’s distortions of body do not ever rule out, shall we say, such flares during these periods of increased distortion of the body complex. Our contact may become momentarily garbled. Therefore, we request that any information which seems garbled be questioned as we wish this contact to remain as undistorted as the limitations of language, mentality, and sensibility allow.

We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you, my friends, in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.

Ra: I am Ra. I greet you, my friends, in the love and in the light of the One Infinite Creator. We communicate now.

Questioner: That’s agreeable.

Ra: I am Ra. We greet you in the love and in the light of the One Infinite Creator. We were having some difficulty with the channel of energy influx due to pain flare, as you call this distortion of the physical body complex of this instrument. Therefore, it was necessary to speak as briefly as possible until we had safely transferred the mind/body/spirit complex of this instrument. We beg your kind indulgence for our discourtesy. It was appropriate.

The condition of this instrument is as follows. The necessity for extreme vigilance is less, due to the somewhat lessened physical complex energy deficit. The potential for distortion remains and continued watchfulness over the ingestion of helpful foodstuffs continues to be recommended. Although the instrument is experiencing more than the, shall we say, normal for this mind/body/spirit complex, distortion towards pain at this space/time nexus, the basic condition is less distorted. The vital energies are as previously stated.

We commend the vigilance and care of this group.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.

Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.

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