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106.22 Questioner: Can you tell me what the instrument’s difficulty was with her last whirlpool?
Ra: I am Ra. The instrument took on the mental/emotional nature and distortion complex of the questioner as we have previously noted. The instrument has been taking the swirling waters at temperatures which are too hot and at rates of vibration which, when compounded by the heat of the swirling waters, bring about the state of light shock as you would call the distortion. The mind complex has inadequate oxygen in this distorted state and is weakened.
In this state the instrument, having the questioner’s distortion without the questioner’s strength of the distortion one might liken to the wearing of armor, began to enter into an acute psychotic episode. When the state of shock was past the symptoms disappeared. The potential remains as the empathic identity has not been relinquished, and both the questioner and the instrument live as entities in a portion of the mental/emotional complex of the instrument.
May we ask for one more full query at this working and remind the instrument that it is appropriate to reserve some small portion of energy before a working?
22.24 Questioner: Was all of their information given to them in the way you’re giving our information now, through an instrument such as this instrument?
Ra: I am Ra. There were visitations from time to time but none of importance in the, shall we say, historical passage of events in your space/time continuum.
9.0 Ra: I am Ra. I greet you in the love and the light of our Infinite Creator. We communicate now.
76.2 Questioner: Will our continued communication with Ra be deleterious to the physical energies of the instrument?
Ra: I am Ra. We may answer in two modes. Firstly, if the instrument were thusly dedicated to this use with no transfer of energy of physical complex nature it would begin to call upon the vital energy itself and this, done in any substantive measure, is actively deleterious to a mind/body/spirit complex if that complex wishes further experience in the illusion which it now distorts.
Secondly, if care is taken, firstly, to monitor the outer parameters of the instrument, then to transfer physical energy by sexual transfer, by magical protection, and, lastly, by the energetic displacements of thought-forms energizing the instrument during contact there is no difficulty in that there is no worsening of the instrument’s mind/body/spirit complex distortions of strength/weakness.
It is to be noted that the instrument, by dedicating itself to this service, attracts greetings of which you are aware. These are inconvenient but, with care taken, need not be lastingly deleterious either to the instrument or the contact.
60.6 Questioner: Aside from the workings I am concerned about the physical distortions of the instrument in the area of hands and arms. Is there a, shall we say, mental exercise or something else that the instrument could work on to help to alleviate the extreme problems she has at this time with her hands, etc.?
Ra: I am Ra. Yes.
44.11 Questioner: Can you tell me the source of the instrument’s dream of this morning that she told to me as soon as she woke up?
Ra: I am Ra. The feeling of the dream, shall we say, was Orion-influenced. The clothing of the dream revealing more the instrument’s unconscious associative patterns of symbolism.
46.6 Questioner: At this time I would ask if we should end the session because of the instrument’s low vitality, or whether this is irrelevant because of the dedication to this session already.
Ra: I am Ra. The latter is correct. You may proceed. We shall monitor the vital energy of this instrument.
79.27 Questioner: I was just wondering since this seems to be the crux of the experiment— this seems to be the large breaking point between no extension of the first distortion and the extension of the first distortion— what the result of this original experiment was with respect to that which was created from it. What was the result of that?
Ra: I am Ra. This is previously covered material.* The result of these experiments has been a more vivid, varied, and intense experience of Creator by Creator.
44.8 Questioner: I’m not sure I fully understood you. Could you say that a little different way? Could you explain more completely?
Ra: I am Ra. Each of you in this working has consciously dedicated the existence now being experienced to service to others. This instrument has refined this dedication through long experience with the channeling, as you term it, of Confederation philosophy, as you may say. Thus when we first contacted this instrument it had offered its beingness, not only to service to other-selves but service by communication of this nature. As this contact has developed, this dedication of beingness has become quite specific. Thus once the vital energy is dedicated by the instrument to our communications, even if the working did not occur, this vital energy would be lost to the day-by-day experience of the instrument. Thus we indicated the importance of the instrument’s releasing of the will from the process of determining the times of working, for if the instrument desires contact, the energy is gathered and thus lost for ordinary or mundane purposes.
22.1 Questioner: The instrument would like to ask a couple of questions of you. I’ll get them out of the way first. The instrument would like to know why she smells the incense at various times during the day in various places?
Ra: I am Ra. This instrument has spent a lifetime in dedication to service. This has brought this instrument to this nexus in space/time with the conscious and unconscious distortion towards service, with the further conscious distortion towards service by communication. Each time, as you would put it, that we perform this working our social memory complex vibrational distortion meshes more firmly with this instrument’s unconscious distortions towards service. Thus we are becoming a part of this instrument’s vibratory complex and it a part of ours. This occurs upon the unconscious level, the level whereby the mind has gone down through to the roots of consciousness which you may call cosmic.
This instrument is not consciously aware of this slow changing of the meshing vibratory complex. However, as the dedication on both levels continues, and the workings continue, there are signals sent from the unconscious in a symbolic manner. Because this instrument is extremely keen in its sense of smell this association takes place unconsciously, and the thought-form of this odor is witnessed by the entity.
69.18 Questioner: This instrument performs services on Sunday night channeling other members of the Confederation. We are reluctant to continue this because of the possibility of her slipping into trance and being offered the services of the negatively polarized adept. Are there any safeguards to create a situation where she cannot go into trance other than at a protected working such as this one?
Ra: I am Ra. There are three. Firstly, the instrument must needs improve the disciplined subconscious taboo against requesting Ra. This would involve daily conscious and serious thought. The second safeguard is the refraining from the opening of the instrument to questions and answers for the present. The third is quite gross in its appearance but suffices to keep the instrument in its physical complex. The hand may be held.
4.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
5.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
6.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
8.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
10.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
11.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
12.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
13.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
15.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
20.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
26.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
28.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
63.3 Questioner: You are saying that the instrument itself then created the kidney problem at that time?
Ra: I am Ra. The instrument’s desire to leave this density lowered the defenses of an already predisposed weak body complex, and an allergic reaction was so intensified as to cause the complications which distorted the body complex towards unviability. The will of the instrument, when it found that there was indeed work to be done in service, was again the guiding factor or complex of vibratory patterns which kept the body complex from surrendering to dissolution of the ties which cause the vitality of life.
67.10 Questioner: We have a paradoxical situation in that in order to fully serve the Creator at this level in the polarized section, you might say, of the Creation, we have requests, from those whom we serve in this density, for Ra’s information. In fact, I just had one by telephone a short while ago. However, we have requests from, in this particular case, another density not to disseminate this information. We have the Creator, in fact, requesting two seemingly opposite activities of this group. It would be very helpful if we could reach a condition of full, total, complete service in such a way that we were by every thought and activity serving the Creator to the very best of our ability. Is it possible for you to solve, or possible for the fifth-density entity who offers its service to solve, the paradox that I have observed?
Ra: I am Ra. It is quite possible.
76.1 Questioner: Could you first please give me an indication of the condition of the instrument?
Ra: I am Ra. This instrument is in a state of physical complex bankruptcy which has existed for some of the measure you call time. The vital energies are normal with a strong spiritual complex counterpart and will lending substance to the mind/body/spirit complex energy levels.
65.1 Questioner: Could you first please give us an indication of the instrument’s condition and the level of vital and physical energies?
Ra: I am Ra. This instrument’s vital energies are as previously stated. The physical energies are greatly distorted towards weakness at this space/time due to the distortion complexes symptomatic of that which you call the arthritic condition. The level of psychic attack is constant but is being dealt with by this instrument in such a way as to eliminate serious difficulties due to its fidelity and that of the support group.
14.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.
16.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.
18.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.
19.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.
21.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.
23.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.
25.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.
27.0 Ra: I am Ra. I greet you in the love and the light of the One Infinite Creator. I communicate now.
3.15 Questioner: Well, then you speak of the pyramid, especially the Great Pyramid, I assume, as primarily a healing machine and also spoke of it as a device for initiation. Are these one and the same concepts?
Ra: They are part of one complex of love/light intent/sharing. To use the healing aspects properly it was important to have a purified and dedicated channel, or energizer, for the love/light of the Infinite Creator to flow through; thus the initiatory method was necessary to prepare the mind, the body, and the spirit for service in the Creator’s work. The two are integral.
101.1 Questioner: Could you first please give me the condition of the instrument?
Ra: I am Ra. All energy levels of the instrument are somewhat diminished due to the distortions of physical pain and recent mental/emotional catalyst. However, the energy levels appear to be very liable to be improved in what you call your immediate future.
32.0 Ra: I am Ra. I greet you in the love and the light of the One Infinite Creator. We communicate now.
36.0 Ra: I am Ra. I greet you in the love and the light of the One Infinite Creator. We communicate now.
30.17 Questioner: The instrument would like to know if you could tell her whether or not this item which is called Sam Millar’s polarizer would help her physical well-being. Can you do that?
Ra: I am Ra. As we scan the instrument we find anomalies of the magnetic field which are distorted towards our abilities to find narrow-band channel into this instrument’s mind/body/spirit complex. The polarizer of which you speak, as it is, would not be helpful. A careful reading of this instrument’s aura by those gifted in this area, and subsequent alterations of the magnetizing forces of this polarizer, would assist the entity, Sam, in creating such a polarizer that would be of some aid to the instrument. However, we would suggest that no electrical or magnetic equipment not necessary for the recording of our words be brought into these sessions, for we wish no distortions that are not necessary.
71.17 Questioner: The change in consciousness should result in a greater distortion towards service to others, toward unity with all, and toward knowing in order to serve. Is this correct, and are there any other desired results?
Ra: I am Ra. These are commendable phrases. The heart of white magic is the experience of the joy of union with the Creator. This joy will of necessity radiate throughout the life experience of the positive adept. It is for this reason that sexual magic is not restricted solely to the negatively oriented polarizing adepts but when most carefully used has its place in high magic as it, when correctly pursued, joins body, mind, and spirit with the One Infinite Creator.
Any purpose which you may frame should, we suggest, take into consideration this basic union with the One Infinite Creator, for this union will result in service to others of necessity.
6.29 Questioner: The only question I have is that I must assume since Leonard was here when you first made contact, [it’d] be as suitable for him to be here as Tom. Is this correct?
Ra: This is correct and completes the number of those at this time able to come who are suitable. Again, remember the instructions given for the preparation of the vibratory sound complex, Tom.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth rejoicing in the power and the peace of the One Creator. Adonai.
98.3 Questioner: I had just taken a wild guess that it was possibly during that meditation prior to the working that was used by our fifth-density, negative friend to create the allergic reactions and other in the instrument. Was I correct on that, or incorrect?
Ra: I am Ra. This entity greets the instrument as close to the working in your space/time continuum as is practicable. The elimination of that preparation caused the fifth-density entity to greet this instrument at this juncture of decision not to meditate. The greeting does not take what you would call a noticeable amount of your time.
100.15 Questioner: I will save that for next session and I will ask if there is anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is well. The appurtenances are most conscientiously placed. We thank this diligent group. There is much greater distortion towards harmony at this asking and we join you in praise and thanksgiving. This is always the greatest boon to improvement of the contact, for it is the harmony of the group which supports this contact.
I am Ra. I leave you in the love and the light of the One. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
15.7 Questioner: What is the greatest service that our population on this planet could perform individually?
Ra: I am Ra. There is but one service. The Law is One. The offering of self to Creator is the greatest service, the unity, the fountainhead. The entity who seeks the One Creator is with infinite intelligence. From this seeking, from this offering, a great multiplicity of opportunities will evolve depending upon the mind/body/spirit complexes’ distortions with regard to the various illusory aspects or energy centers of the various complexes of your illusion.
Thus, some become healers, some workers, some teachers, and so forth.
47.2 Questioner: OK. The question that I was trying to ask at the end of the last session was: Of what value to evolution or experience in the Creator knowing himself are the positive and negative social memory complexes that form starting in fourth density, and why was this planned by the Logos?
Ra: I am Ra. There are inherent incorrectnesses in your query. However, we may answer the main point of it.
The incorrectness lies in the consideration that social memory complexes were planned by the Logos or sub-Logos. This is incorrect, as the unity of the Creator exists within the smallest portion of any material created by Love, much less in a self-aware being.
However, the distortion of free will causes the social memory complex to appear as a possibility at a certain stage of evolution of mind. The purpose, or consideration which causes entities to form such complexes, of these social memory complexes, is a very simple extension of the basic distortion towards the Creator’s knowing of Itself, for when a group of mind/body/spirits become able to form a social memory complex, all experience of each entity is available to the whole of the complex. Thus the Creator knows more of Its creation in each entity partaking of this communion of entities.
66.3 Questioner: Can you tell me the most appropriate method for attempting to alleviate the instrument’s physical problems?
Ra: I am Ra. The basic material has been covered before concerning the nurturing of this instrument. We recapitulate: the exercise according to ability, not to exceed appropriate parameters, the nutrition, the social intercourse with companions, the sexual activity in green ray or above, and in general, the sharing of the distortions of this group’s individual experiences in an helpful, loving manner.
These things are being accomplished with what we consider great harmony, given the density in which you dance. The specific attention and activities with which those with physical complex distortions may alleviate these distortions are known to this instrument.
Finally, it is well for this instrument to continue the practices it has lately begun.
51.10 Questioner: Immediately after the death of the physical body, you have stated that the, I believe I’m correct in saying that, primary activated body is the indigo, and you stated that it is the form-maker. Why is this so? Can you answer that?
Ra: I am Ra. This will be the last full query of this session of working.
The indigo body may be seen to be an analog for intelligent energy. It is, in microcosm, the Logos. The intelligent energy of the mind/body/spirit complex totality draws its existence from intelligent infinity or the Creator. This Creator is to be understood, both in macrocosm and microcosm, to have, as we have said, two natures: the unpotentiated infinity which is intelligent; this is all that there is.
Free will has potentiated both the Creator of us all and our selves as co-Creators with intelligent infinity which has will. This will may be drawn upon by the indigo, or form-making, body, and its wisdom used to then choose the appropriate locus and type of experience which this co-Creator or sub-sub-Logos you call so carelessly a person will take.
I am Ra. This is the time for any brief queries.
44.13 Questioner: What I am trying to get at in this session is any practices that we might be able to do to best revitalize the instrument, for it is going to be necessary to do all we can to do this in order to maintain our contacts. Can you tell us what we could best do to increase the instrument’s vitality for these contacts?
Ra: I am Ra. Your experience was a function of your ability to contact intelligent infinity. Therefore, it does not have a direct bearing upon this instrument’s vital energy.
We have spoken before of those things which aid this instrument in the vital energy: the sensitivity to beauty, to the singing of sacred music, to the meditation and worship, to the sharing of self with self in freely given love either in social or sexual intercourse. These things work quite directly upon the vitality. This instrument has a distortion towards appreciation of variety of experiences. This, in a less direct way, aids vitality.
3.4 Questioner: [After making the correction.] Is this satisfactory?
Ra: Please check your eye to make fine correction. We will explain the process by which this becomes a significant distortion balancer. The incense acts as energizer to the physical body of this instrument, signifying its humanity. This is, therefore, a necessity that the wafted smoke is perceived from the same relative angle as the instrument perceives the opened Bible balanced by the lighted candle signify love/light and light/love and, therefore, give the mental and emotional, shall we call it, distortion complex of this instrument the sight of paradise and peace which it seeks. Thus energized from the lower to the higher, the instrument becomes balanced and does not grow fatigued.
We appreciate your concern, for this will enable our teach/learning to proceed more easily.
62.21 Questioner: When the Orion entity who waits us seeking the opportunity to attack is with us here can you describe his method of coming here, what he looks like, and how he waits? I know that this isn’t too important, but it might give me a little insight into what we are talking about.
Ra: I am Ra. Fifth-density entities are very light beings although they do have the type of physical vehicle which you understand. Fifth-density entities are very fair to look upon in your standard of beauty.
The thought is what is sent, for a fifth-density entity is likely to have mastered this technique or discipline. There is little or no means of perceiving such an entity, for unlike fourth-density negative entities the fifth-density entity walks with light feet.
This instrument was aware of extreme coldness in the past diurnal cycle and spent much more time than your normal attitudes would imagine to be appropriate in what seemed to each of you an extremely warm climate. This was not perceived by the instrument, but the drop in subjective temperature is a sign of presence of a negative or nonpositive or draining entity.
This instrument did mention a feeling of discomfort but was nourished by this group and was able to dismiss it. Had it not been for a random mishap, all would have been well, for you have learned to live in love and light and do not neglect to remember the One Infinite Creator.
23.17 Questioner: The only questions I have is there anything we can do to make the instrument more comfortable? And since you stated that she seems to be low on energy, is it possible at all to have another session later today?
Ra: I am Ra. All is well with alignments. However, this instrument would benefit from rest from the trance state for this diurnal period.
41.25 Questioner: Why are the red, yellow, and blue energy centers called primary centers? I think from the previous material I understand this, but is there some tracing of these primary colors back to intelligent infinity that is more profound than what you have given us?
Ra: I am Ra. We cannot say what may seem profound to an entity. The red, yellow, and blue rays are primary because they signify activity of a primary nature.
Red ray is the foundation; orange ray the movement towards yellow ray which is the ray of self-awareness and interaction. Green ray is the movement through various experiences of energy exchanges having to do with compassion and all-forgiving love to the primary blue ray which is the first ray of radiation of self regardless of any actions from another.
The green-ray entity is ineffectual in the face of blockage from other-selves. The blue-ray entity is a co-Creator. This may perhaps simply be a restatement of previous activity, but if you consider the function of the Logos as representative of the Infinite Creator in effectuating the knowing of the Creator by the Creator you may perhaps see the steps by which this may be accomplished.
May we ask for one final full question before we leave this working?
22.0 Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. I communicate now.
24.0 Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. I communicate now.
39.0 Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. I communicate now.
44.1 Questioner: The instrument had some question as to her vitality. We were having a hard time appraising it. Is it possible for you to comment on this?
Ra: I am Ra. We scan this instrument and find that we may be of service without infringement due to this instrument’s decision to abide by the most careful appraisal possible rather than the most desired.
We have been surprised that we have been able to maintain contact on a regular basis during this most intense period of negatively influenced interference. Sexual energy transfers have at some workings given this instrument additional vital resources upon which to draw. However, this is not so at this working and, therefore, the will of the instrument drives its bodily complex. This instrument has no judgment about this service. The faculty of will, while recognized as most central and valuable, could in this application cause serious distortion in bodily complex of the instrument. May we note that martyrdom is not necessarily helpful. We ask this instrument to examine these thoughts, judge, and discriminate the possible truth of them, and if they be deemed true we suggest this instrument release the power of judgment to the support group whose interests are balanced far more than this instrument’s. Allow decisions to be made without expectation or attachment to the outcome. Our hopes, may we say, for long-term contact through this instrument depend upon its maturing ability to be of service to other-selves by accepting their help and thus remaining a viable instrument.
May we thank the questioner for allowing us to speak to this point, for we were aware of the distortions incumbent upon one whose will to serve is not regulated by knowledge of limitations of bodily complex distortion.
29.0 Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. We communicate now.
33.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.
37.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.
40.0 Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. We communicate now.
55.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.
83.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.
87.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.
94.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.
60.4 Questioner: You are saying, then, that the physical distortions that the instrument experienced are part of a balancing process? Is this correct?
Ra: I am Ra. This is incorrect. The physical distortions are a result of the instrument’s not accepting fully the limitations placed prior to incarnation upon the activities of the entity once it had begun the working. The distortions caused by this working, which are inevitable given the plan chosen by this entity, are limitation and, to a degree consonant with the amount of vital and physical energy expended, weariness, due to that which is the equivalent in this instrument of many, many hours of harsh physical labor.
This is why we suggested the instrument’s thoughts dwelling upon the possibility of its suggesting to its higher self the possibility of some slight reservation of energy at a working. This instrument at this time is quite open until all resources are quite exhausted. This is well if desired. However, it will, shall we say, shorten the number of workings in what you may call the long run.
68.5 Questioner: Would you tell me what happened in that case?
Ra: I am Ra. We have instructed this instrument to refrain from calling us unless it is within this set of circumscribed circumstances. In the event of which you speak this instrument was asked a question which pertained to what you have been calling The Ra Material. This instrument was providing the voice for our brothers and sisters of the wisdom density known to you as Latwii.
This instrument thought to itself, “I do not know this answer. I wish I were channeling Ra.” The ones of Latwii found themselves in the position of being approached by the Orion entity which seeks to be of service in its own way. The instrument began to prepare for Ra contact. Latwii knew that if this was completed the Orion entity would have an opportunity which Latwii wished to avoid.
It is fortunate for this instrument, firstly, that Latwii is of fifth density and able to deal with that particular vibratory complex which the Orion entity was manifesting and, secondly, that there were those in the support group at that time which sent great amounts of support to the instrument in this crux. Thus what occurred was the ones of Latwii never let go of this instrument although this came perilously close to breaking the Way of Confusion. It continued to hold its connection with the mind/body/spirit complex of the instrument and to generate information through it even as the instrument began to slip out of its physical vehicle.
The act of continued communication caused the entity to be unable to grasp the instrument’s mind/body/spirit complex and after but a small measure of your space/time Latwii recovered the now completely amalgamated instrument and gave it continued communication to steady it during the transition back into integration.
3.0 Ra: I am Ra. I greet you in the love and the light of the One Infinite Creator. I communicate with you now.
30.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
31.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
34.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
35.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
38.0 Ra: [I am Ra. I greet you] in the love and in the light of the One Infinite Creator. We communicate now.
41.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
42.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
46.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
47.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
48.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
49.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
50.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
51.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
52.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
53.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
54.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
56.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
57.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
58.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
59.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
60.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
63.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
64.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
65.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
66.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
68.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
70.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
72.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
73.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
74.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
75.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
76.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
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